Making and Unmaking in Early Modern English Drama : Spectators, Aesthetics and Incompletion /
Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking'? And what did the terms 'finished' or 'incomplete' mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual th...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York [New York] :
Manchester University Press,
[2013]
|
| Rangatū: | Book collections on Project MUSE.
|
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Ngā tūemi rite: Making and Unmaking in Early Modern English Drama :
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- Unnatural and unconventional liaisons in English renaissance drama : the Duchess of Malfi, women beware women and 'tis a pity she's a whore /
- Elizabethan plays and players /
- A short history of English Renaissance drama /
- Elizabethan revenge tragedy, 1587-1642 /
- Mothers and meaning on the early modern English stage