Making and Unmaking in Early Modern English Drama : Spectators, Aesthetics and Incompletion /
Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking'? And what did the terms 'finished' or 'incomplete' mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual th...
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
New York [New York] :
Manchester University Press,
[2013]
|
| Sraith: | Book collections on Project MUSE.
|
| Ábhair: | |
| Rochtain ar líne: | Full text available: |
| Clibeanna: |
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
|
Míreanna comhchosúla: Making and Unmaking in Early Modern English Drama :
- Making and Unmaking in Early Modern English Drama : Spectators, Aesthetics and Incompletion /
- Renaissance drama and contemporary literary theory
- Renaissance drama and contemporary literary theory
- Unnatural and unconventional liaisons in English renaissance drama : the Duchess of Malfi, women beware women and 'tis a pity she's a whore /
- Unnatural and unconventional liaisons in English renaissance drama : the Duchess of Malfi, women beware women and 'tis a pity she's a whore /
- Elizabethan plays and players /