Making and Unmaking in Early Modern English Drama : Spectators, Aesthetics and Incompletion /

Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking'? And what did the terms 'finished' or 'incomplete' mean for dramatists and their audiences in this period? Making and unmaking in early modern English dram...

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Bibliographic Details
Main Author: Porter, Chloe (Author)
Format: Electronic eBook
Language:English
Published: New York [New York] : Manchester University Press, [2013]
Series:Book collections on Project MUSE.
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Online Access:Full text available:
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100 1 |a Porter, Chloe,  |e author. 
245 1 0 |a Making and Unmaking in Early Modern English Drama :   |b Spectators, Aesthetics and Incompletion /   |c Chloe Porter. 
264 1 |a New York [New York] :  |b Manchester University Press,  |c [2013] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©[2013] 
300 |a 1 online resource (240 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references and index. 
505 0 |a Early modern English drama and visual culture -- 'In the keeping of Paulina': the unknowable image in The Winter's tale -- 'But begun for others to end': the ends of incompletion -- 'The brazen head lies broken': divine destruction in Friar Bacon and Friar Bungay -- Going unseen: invisibility and erasure in The Two merry milkmaids. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking'? And what did the terms 'finished' or 'incomplete' mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to 'begin' or 'end' a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history. 
588 |a Description based on print version record. 
650 0 |a Iconoclasm in literature. 
650 0 |a Unfinished works of art. 
650 0 |a Art in literature. 
650 0 |a Material culture in literature  |x History  |y 17th century. 
650 0 |a Material culture in literature  |x History  |y 16th century. 
650 0 |a Art and literature  |z England  |x History  |y 17th century. 
650 0 |a Art and literature  |z England  |x History  |y 16th century. 
650 0 |a English drama  |y 17th century  |x History and criticism. 
650 0 |a English drama  |y Early modern and Elizabethan, 1500-1600  |x History and criticism. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse  |e distributor. 
776 1 8 |i Print version:  |z 9780719084973 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/64120/ 
999 |c 232660  |d 232659