Eric Rohmer's Film Theory (1948-1953) : From 'école Scherer' to 'politique des auteurs' /
In the 1950s, a group of critics writing for 'Cahiers du Cinema' launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hund...
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| Format: | Electronic eBook |
| Language: | English |
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Amsterdam :
Amsterdam University Press,
[2018]
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| Series: | Book collections on Project MUSE.
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| Online Access: | Full text available: |
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Grosoli, Marco, |e author. | |
| 245 | 1 | 0 | |a Eric Rohmer's Film Theory (1948-1953) : |b From 'école Scherer' to 'politique des auteurs' / |c Marco Grosoli. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2018] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2019 | |
| 264 | 4 | |c ©[2018] | |
| 300 | |a 1 online resource (349 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Film Theory in Media History | |
| 505 | 0 | |a Cover; Table of contents; Acknowledgments; Introduction; 1. A Novelistic Art of Space; 1.1. Sartre's ontology; 1.2. A novelistic ontology?; 1.3. Cinema: Novelistic consciousness qua actual nothingness; 1.4. An art of space; 1.5. An art of appearance for appearance's sake; 1.6. Space vs. language; 1.7. An art more novelistic than the novel itself; 2. Alexandre Astruc: An Early but Decisive Influence; 2.1. Kant's transcendental aesthetics -- and Heidegger's reinterpretation; 2.2. 'Dialectique et cinema'; 2.3. From and beyond Sartre's Heideggerian perspective; 2.4. The 'Camera-Stylo' | |
| 505 | 0 | |a 3. Under and On the Volcano: Rohmer's Conversion3.1. The Other; 3.2. The triumph of exteriority over interiority; 3.3. Pulling phenomenology back to its Kantian roots; 3.4. Ethics; 3.5. God?; 3.6. Echoes of the conversion; 4. The Art of Nature; 4.1. To show and not to tell; 4.2. Natural beauty; 4.3. Immediate mediation; 4.4. Movement and narrative; 4.5. Mechanism as the background for freedom; 5. Ethics at the Heart of Aesthetics; 5.1. On abjection: The Wages of Fear; 5.2. Films with a soul; 5.3. Tragedy; 5.4. Solitude morale. | |
| 505 | 0 | |a 5.5. The vertiginous moment: The reversal between inside and outside6. After Modernity: Rohmer's Classicism and Universalism; 6.1. Beyond modern art; 6.2. Classic = Modern; 6.3. An anti-evolutionist approach; 6.4. Universalism; 6.5. Authorship and mise en scene; Conclusion; About the Author; Index of Names. | |
| 506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
| 520 | 8 | |a In the 1950s, a group of critics writing for 'Cahiers du Cinema' launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism. | |
| 546 | |a Undetermined. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Rohmer, Éric, |d 1920-2010. |2 fast |0 (OCoLC)fst01734830 |
| 600 | 1 | 1 | |a Rohmer, Éric, |d 1920-2010 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Rohmer, Éric, |d 1920-2010 |x Criticism and interpretation. |
| 650 | 7 | |a Filmtheorie |2 gnd | |
| 650 | 7 | |a Auteur theory (Motion pictures) |2 fast |0 (OCoLC)fst00821628 | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Film theory & criticism. |2 bicssc | |
| 650 | 6 | |a Politique des auteurs (Cinema) | |
| 650 | 0 | |a Auteur theory (Motion pictures) | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Full text available: |u https://muse.jhu.edu/book/66281/ |
| 999 | |c 232597 |d 232596 | ||