Eric Rohmer's Film Theory (1948-1953) : From 'école Scherer' to 'politique des auteurs' /
In the 1950s, a group of critics writing for 'Cahiers du Cinema' launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of li...
সংরক্ষণ করুন:
| প্রধান লেখক: | |
|---|---|
| বিন্যাস: | বৈদ্যুতিক বৈদ্যুতিন গ্রন্থ |
| ভাষা: | ইংরেজি |
| প্রকাশিত: |
Amsterdam :
Amsterdam University Press,
[2018]
|
| মালা: | Book collections on Project MUSE.
|
| বিষয়গুলি: | |
| অনলাইন ব্যবহার করুন: | Full text available: |
| ট্যাগগুলো: |
কোনো ট্যাগ নেই, প্রথমজন হিসাবে ট্যাগ করুন!
|
| সংক্ষিপ্ত: | In the 1950s, a group of critics writing for 'Cahiers du Cinema' launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism. |
|---|---|
| দৈহিক বর্ননা: | 1 online resource (349 pages). |
| আইসবিএন: | 9789048537037 |
| প্রবেশাধিকার: | Open Access |