Eric Rohmer's Film Theory (1948-1953) : From 'école Scherer' to 'politique des auteurs' /
In the 1950s, a group of critics writing for 'Cahiers du Cinema' launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of li...
Wedi'i Gadw mewn:
| Prif Awdur: | |
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| Fformat: | Electronig eLyfr |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Amsterdam :
Amsterdam University Press,
[2018]
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| Cyfres: | Book collections on Project MUSE.
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| Pynciau: | |
| Mynediad Ar-lein: | Full text available: |
| Tagiau: |
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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| Crynodeb: | In the 1950s, a group of critics writing for 'Cahiers du Cinema' launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism. |
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| Disgrifiad Corfforoll: | 1 online resource (349 pages). |
| ISBN: | 9789048537037 |
| Mynediad: | Open Access |