Eric Rohmer's Film Theory (1948-1953) : From 'école Scherer' to 'politique des auteurs' /

In the 1950s, a group of critics writing for 'Cahiers du Cinema' launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of li...

সম্পূর্ণ বিবরণ

সংরক্ষণ করুন:
গ্রন্থ-পঞ্জীর বিবরন
প্রধান লেখক: Grosoli, Marco (লেখক)
বিন্যাস: বৈদ্যুতিক বৈদ্যুতিন গ্রন্থ
ভাষা:ইংরেজি
প্রকাশিত: Amsterdam : Amsterdam University Press, [2018]
মালা:Book collections on Project MUSE.
বিষয়গুলি:
অনলাইন ব্যবহার করুন:Full text available:
ট্যাগগুলো: ট্যাগ যুক্ত করুন
কোনো ট্যাগ নেই, প্রথমজন হিসাবে ট্যাগ করুন!
বিবরন
সংক্ষিপ্ত:In the 1950s, a group of critics writing for 'Cahiers du Cinema' launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism.
দৈহিক বর্ননা:1 online resource (349 pages).
আইসবিএন:9789048537037
প্রবেশাধিকার:Open Access