Cinema of Confinement /
"In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchc...
Sábháilte in:
| Príomhchruthaitheoir: | |
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| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Evanston, Illinois :
Northwestern University Press,
2019.
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| Sraith: | Book collections on Project MUSE.
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| Ábhair: | |
| Rochtain ar líne: | Full text available: |
| Clibeanna: |
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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Clár na nÁbhar:
- Introduction: Excess, the gaze, and cinema of confinement
- Excess in confinement in Room and Green room
- Big window, big other: enjoyment and spectatorship in Alfred Hitchcock's Rope
- Interior confinement: shattering and disintegration in Ingmar Bergman's The passion of Anna
- It "over-looks": movement and stillness in Stanley Kubrick's The shining
- "It's just a show?" Paranoia and provocation in Oliver Stone's Talk radio
- Voices, telephones, and confined spaces: Phone booth and Locke
- Captive, captor, and aliens: 10 Cloverfield lane
- Conclusion: 127 hours, The wall, Panic room, and Cyberspace.