Cinema of Confinement /
"In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred H...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Evanston, Illinois :
Northwestern University Press,
2019.
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| Series: | Book collections on Project MUSE.
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| Subjects: | |
| Online Access: | Full text available: |
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| 020 | |a 9780810139237 | ||
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| 035 | |a (OCoLC)1080201899 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Connelly, Thomas J., |d 1971- |e author. | |
| 245 | 1 | 0 | |a Cinema of Confinement / |c Thomas J. Connelly. |
| 264 | 1 | |a Evanston, Illinois : |b Northwestern University Press, |c 2019. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2019 | |
| 264 | 4 | |c ©2019. | |
| 300 | |a 1 online resource (184 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Diaeresis | |
| 505 | 0 | |a Introduction: Excess, the gaze, and cinema of confinement -- Excess in confinement in Room and Green room -- Big window, big other: enjoyment and spectatorship in Alfred Hitchcock's Rope -- Interior confinement: shattering and disintegration in Ingmar Bergman's The passion of Anna -- It "over-looks": movement and stillness in Stanley Kubrick's The shining -- "It's just a show?" Paranoia and provocation in Oliver Stone's Talk radio -- Voices, telephones, and confined spaces: Phone booth and Locke -- Captive, captor, and aliens: 10 Cloverfield lane -- Conclusion: 127 hours, The wall, Panic room, and Cyberspace. | |
| 506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
| 520 | |a "In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchcock's Rope and Stanley Kubrick's The Shining, as well as current films such as Room, Green Room, and 10 Cloverfield Lane, Connelly shows that the source of enjoyment of confined spaces lies in the viewer's relationship to excess. Cinema of Confinement offers rich insights into the appeal of constricted filmic spaces at a time when one can easily traverse spatial boundaries within the virtual reality of cyberspace." | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Motion pictures |x Setting and scenery. |2 fast |0 (OCoLC)fst01027381 | |
| 650 | 7 | |a Gaze in motion pictures. |2 fast |0 (OCoLC)fst00939348 | |
| 650 | 7 | |a Excess (Philosophy) |2 fast |0 (OCoLC)fst01763655 | |
| 650 | 7 | |a Performing arts. |2 fast |0 (OCoLC)fst01057887 | |
| 650 | 7 | |a Performing Arts / Film / History & Criticism. |2 bisacsh | |
| 650 | 6 | |a Cinema |x Decors. | |
| 650 | 6 | |a Regard au cinema. | |
| 650 | 6 | |a Exces (Philosophie) | |
| 650 | 6 | |a Arts du spectacle. | |
| 650 | 0 | |a Performing arts. | |
| 650 | 0 | |a Motion pictures |x Setting and scenery. | |
| 650 | 0 | |a Gaze in motion pictures. | |
| 650 | 0 | |a Framing (Cinematography) |x Psychological aspects. | |
| 650 | 0 | |a Excess (Philosophy) | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Full text available: |u https://muse.jhu.edu/book/63483/ |
| 999 | |c 232287 |d 232286 | ||