Gender, race, and mourning in American modernism
"American modernist writers' engagement with changing ideas of gender and race often took the form of a struggle against increasingly inflexible categories. Greg Forter interprets modernism as an effort to mourn a form of white manhood that fused the 'masculine' with the 'feminine'. He argues that m...
-д хадгалсан:
| Үндсэн зохиолч: | |
|---|---|
| Байгууллагын зохиогч: | |
| Формат: | Цахим Цахим ном |
| Хэл сонгох: | англи |
| Хэвлэсэн: |
Cambridge ; New York :
Cambridge University Press,
2011.
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| Нөхцлүүд: | |
| Онлайн хандалт: | An electronic book accessible through the World Wide Web; click to view |
| Шошгууд: |
Шошго байхгүй, Энэхүү баримтыг шошголох эхний хүн болох!
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Агуулга:
- Machine generated contents note: Introduction; 1. Gender, melancholy, and the whiteness of impersonal form in The Great Gatsby; 2. Redeeming violence in The Sun Also Rises: phallic embodiment, primitive ritual, fetishistic melancholia; 3. Versions of traumatic melancholia: the burden of white man's history in Light in August and Absalom, Absalom!; 4. The Professor's House: primitivist melancholy and the gender of Utopian forms; Afterword; Index.