Bearbmagovva
QR-koda

Tonality as drama closure and interruption in four twentieth-century American operas /

Čájet eará veršuvnnaid (1)
Furkejuvvon:
Váldodahkki: Latham, Edward David
Searvvušdahkki: ebrary, Inc
Materiálatiipa: Elektrovnnalaš E-girji
Giella:eaŋgalasgiella
Almmustuhtton: Denton, Tex. : University of North Texas Press, c2008.
Fáttát:
Joplin, Scott, > 1868-1917. > Treemonisha.
Weill, Kurt, > 1900-1950. > Street scene.
Gershwin, George, > 1898-1937. > Porgy and Bess.
Copland, Aaron, > 1900-1990. > Tender land.
Operas > Analysis, appreciation.
Opera > United States > 20th century.
Electronic books.
Liŋkkat:An electronic book accessible through the World Wide Web; click to view
Fáddágilkorat: Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
Sisdoallologahallan:
  • Tonality as drama: an introduction
  • Dramatic closure: the Stanislavsky system and the attainment of character objectives
  • Tonal closure: a Schenkerian approach to tonal drama
  • The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911)
  • The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935)
  • The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947)
  • The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).

Geahča maid