Tonality as drama closure and interruption in four twentieth-century American operas /

محفوظ في:

التفاصيل البيبلوغرافية
المؤلف الرئيسي:	Latham, Edward David
مؤلف مشترك:	ebrary, Inc
التنسيق:	الكتروني كتاب الكتروني
اللغة:	الإنجليزية
منشور في:	Denton, Tex. : University of North Texas Press, c2008.
الموضوعات:	Joplin, Scott, > 1868-1917. > Treemonisha. Weill, Kurt, > 1900-1950. > Street scene. Gershwin, George, > 1898-1937. > Porgy and Bess. Copland, Aaron, > 1900-1990. > Tender land. Operas > Analysis, appreciation. Opera > United States > 20th century. Electronic books.
الوصول للمادة أونلاين:	An electronic book accessible through the World Wide Web; click to view
الوسوم:	إضافة وسم لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!

جدول المحتويات:

Tonality as drama: an introduction
Dramatic closure: the Stanislavsky system and the attainment of character objectives
Tonal closure: a Schenkerian approach to tonal drama
The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911)
The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935)
The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947)
The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).

مواد مشابهة