Postmodernism, traditional cultural forms, and African American narratives /
محفوظ في:
| المؤلف الرئيسي: | |
|---|---|
| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية |
| منشور في: |
Albany :
State University of New York Press,
[2013]
|
| الموضوعات: | |
| الوصول للمادة أونلاين: | An electronic book accessible through the World Wide Web; click to view |
| الوسوم: |
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
|
جدول المحتويات:
- Postmodernism, traditional cultural forms, and African American subjectivity
- Multiple representations of Philadelphia and John Edgar Wideman's Philadelphia fire
- The trickster, African American virtual subject and Percival Everett's erasure
- Using jazz music and aesthetics to re-describe the African American in Toni Morrison's jazz
- Revolting to sustain psychic life: Bonnie Greer's hanging by her teeth and the encounter with the other
- Virtual-actual reality and Clarence Major's reflex and bone structure
- The Jungian/African collective unconscious, jazz aesthetics, and Xam Cartier's Muse-echo blues
- Conclusion.