Postmodernism, traditional cultural forms, and African American narratives /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Albany :
State University of New York Press,
[2013]
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Postmodernism, traditional cultural forms, and African American subjectivity
- Multiple representations of Philadelphia and John Edgar Wideman's Philadelphia fire
- The trickster, African American virtual subject and Percival Everett's erasure
- Using jazz music and aesthetics to re-describe the African American in Toni Morrison's jazz
- Revolting to sustain psychic life: Bonnie Greer's hanging by her teeth and the encounter with the other
- Virtual-actual reality and Clarence Major's reflex and bone structure
- The Jungian/African collective unconscious, jazz aesthetics, and Xam Cartier's Muse-echo blues
- Conclusion.