The crime fiction handbook
Furkejuvvon:
| Váldodahkki: | |
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| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Chichester, West Sussex, U.K. ; Malden, Mass. :
John Wiley & Sons,
2013.
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| Ráidu: | Blackwell literature handbooks
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| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
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Sisdoallologahallan:
- Introduction
- The politics, main forms, and key concerns of crime fiction. The politics of crime fiction; The types of crime fiction; Classical detective fiction; Hard-boiled detective fiction; The police novel; Transgressor fictions; Vision, supervision, and the city; Crime and the body; Gender matters; Representations of race
- Discussions of individual texts. Edgar Allan Poe: "The murders in the Rue Morgue"; Arthur Conan Doyle : The sign of four; Agatha Christie : The murder of Roger Aykroyd; Dashiell Hammett : The Maltese falcon; Raymond Chandler : The big sleep; James M. Cain : Double indemnity; Patricia Highsmith : The talented Mr. Ripley; Chester Himes : Cotton comes to Harlem; Maj Sjöwall and Per Wahlöö : The laughing policeman; James Ellroy : The black dahlia; Thomas Harris : The silence of the lambs; Patricia Cornwell : Unnatural exposure; Ian Rankin : The naming of the dead; Stieg Larsson : The girl with the dragon tattoo.