The crime fiction handbook
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Chichester, West Sussex, U.K. ; Malden, Mass. :
John Wiley & Sons,
2013.
|
| Rangatū: | Blackwell literature handbooks
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- The politics, main forms, and key concerns of crime fiction. The politics of crime fiction; The types of crime fiction; Classical detective fiction; Hard-boiled detective fiction; The police novel; Transgressor fictions; Vision, supervision, and the city; Crime and the body; Gender matters; Representations of race
- Discussions of individual texts. Edgar Allan Poe: "The murders in the Rue Morgue"; Arthur Conan Doyle : The sign of four; Agatha Christie : The murder of Roger Aykroyd; Dashiell Hammett : The Maltese falcon; Raymond Chandler : The big sleep; James M. Cain : Double indemnity; Patricia Highsmith : The talented Mr. Ripley; Chester Himes : Cotton comes to Harlem; Maj Sjöwall and Per Wahlöö : The laughing policeman; James Ellroy : The black dahlia; Thomas Harris : The silence of the lambs; Patricia Cornwell : Unnatural exposure; Ian Rankin : The naming of the dead; Stieg Larsson : The girl with the dragon tattoo.