صورة الغلاف

Italian Political Cinema : Figures of the Long '68 /

"Traditionally, the definition of political cinema assumes a relationship between cinema and politics, but Mauro Resmini sees this relationship as an impasse. He turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to...

وصف كامل

محفوظ في:
التفاصيل البيبلوغرافية
المؤلف الرئيسي: Resmini, Mauro, 1981- (مؤلف)
التنسيق: الكتروني كتاب الكتروني
اللغة:الإنجليزية
منشور في: Minneapolis, MN : University of Minnesota Press, [2022]
سلاسل:Book collections on Project MUSE.
الموضوعات:
Motion pictures > Political aspects
Motion pictures > Philosophy
Motion pictures
Cinema > Philosophie.
Cinema > Aspect politique > Italie.
Cinema > Italie > Histoire > 20e siecle.
Motion pictures > Philosophy.
Motion pictures > Political aspects > Italy.
Motion pictures > Italy > History > 20th century.
Italy
History
Electronic books.
الوصول للمادة أونلاين:Full text available:
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جدول المحتويات:
  • "A dance of figures": for a figural theory of political cinema
  • The worker: subjectivity within and against capital - - The housewife: figuring reproductive labor
  • The youth: the dialectic of enjoyment
  • The saint: an ethics of automomy
  • The specter: totality as conjuration
  • Apocalypse with figures: the tyrant, the intriguer, the martyr
  • Epilogue: The cinema of '68', the '68 of cinema.

مواد مشابهة