Listening For A Life : A Dialogic Ethnography of Bessie Eldreth through Her Songs and Stories /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Logan :
Utah State University Press,
2004.
|
| Rangatū: | Book collections on Project MUSE.
|
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction : dialogism and subjectivity
- "That was before I ever left home" : complex accounts of a simple childhood
- "If you had to work as hard as I did, it would kill you" : work, narrative, and self-definition
- "I said, 'don't you do it'" : tracing development as an empowered speaker through reported speech in narrative
- "He never did say anything about my dreams that would worry me after that" : negotiating gender and power in ghost stories
- "I'm a bad one to go pulling jokes on people" : practical joking as a problematic vehicle for oppositional self-definition
- "My singing is my life" : repertoire and performance
- Epilogue.