Indiscretions : Avant-Garde Film, Video, and Feminism /
Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. Patricia Mellencamp traces and charts the intersections of Lacanian psychoanalysis and the desiring male subject, Roland Barthes and texts of pleasure, Michel Foucault and...
I tiakina i:
Kaituhi matua: | |
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Hōputu: | Tāhiko īPukapuka |
Reo: | Ingarihi |
I whakaputaina: |
Bloomington :
Indiana University Press,
1990.
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Rangatū: | Book collections on Project MUSE.
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Ngā marau: | |
Urunga tuihono: | Full text available: |
Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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Rārangi ihirangi:
- Historically speaking
- Visionary film and sexual difference
- Video politics
- Surveillance and simulation
- Theoretical objects
- Postmodern TV
- Uncanny feminism
- Last scene in the streets of modernism
- Taking a cue from Ariadne
- Images of language and indiscreet dialogues
- The avant-garde, the everyday, and the underground.