The Ballad Matrix : Personality, Milieu, and the Oral Tradition /
I tiakina i:
Kaituhi matua: | McCarthy, William Bernard, 1939- |
---|---|
Hōputu: | Tāhiko īPukapuka |
Reo: | Ingarihi |
I whakaputaina: |
Bloomington :
Indiana University Press,
1990.
|
Rangatū: | Book collections on Project MUSE.
|
Ngā marau: | |
Urunga tuihono: | Full text available: |
Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Ngā tūemi rite
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The Anglo-Scottish ballad and its imaginary contexts /
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Ballad collection, lyric, and the canon the call of the popular from the Restoration to the New Criticism /
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The Theory of Oral Composition : History and Methodology /
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Estudios y notas sobre el romancero /
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Spanish Spaces : Landscape, Space and Place in Contemporary Spanish Culture /
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History in the United States, 1800-1860 : Its Practice and Purpose /
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Exploring Materiality and Connectivity in Anthropology and Beyond /
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Worlds in Miniature : Contemplating Miniaturisation in Global Material Culture /
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"The Constitution of the People" : Reflections on Citizens and Civil Society /
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Imperial Gateway : Colonial Taiwan and Japan's Expansion in South China and Southeast Asia, 1895–1945 /
mā: Shirane, Seiji, 1982-
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Ngā tūemi rite
-
The Glenbuchat ballads
I whakaputaina: (2007) -
The Anglo-Scottish ballad and its imaginary contexts /
mā: Atkinson, David
I whakaputaina: (2014) -
The Anglo-Scottish ballad and its imaginary contexts /
mā: Atkinson, David
I whakaputaina: (2014) -
John Miles Foley's World of Oralities : Text, Tradition, and Contemporary Oral Theory /
I whakaputaina: (2020) -
The high-kilted muse Peter Buchan and his Secret songs of silence /
I whakaputaina: (2010)