West African Masking Traditions and Diaspora Masquerade Carnivals : History, Memory, and Transnationalism /
"A revisionist account of African masquerade carnivals in transnational context that offers readers a unique perspective on the connecting threads between African cultural trends and African American cultural artifacts"--
Furkejuvvon:
Váldodahkki: | |
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Materiálatiipa: | Elektrovnnalaš E-girji |
Giella: | eaŋgalasgiella |
Almmustuhtton: |
Rochester, NY :
University of Rochester Press,
2020.
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Ráidu: | Book collections on Project MUSE.
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Fáttát: | |
Liŋkkat: | Full text available: |
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Sisdoallologahallan:
- Introduction
- On Origins of Masking: History, Memory, and Ritual Observances
- Aspects of Society and Culture in the Biafra Hinterland
- Bantu Migrations and Cultural Transnationalism in the Ancient Global Age, c. 2500 BCE-1400 CE
- Bight of Biafra, Slavery, and Diasporic Africa in the Modern Global Age, 1400-1800
- Igbo Masquerade Dances in the African Diasporas:Symbols and Meanings
- Unmasking the Masquerade: Counterideologies and Contemporary Practices
- Idioms of Religion, Music, Dance, and African Art Forms
- Memory and Masquerade Narratives: The Art of Remembering.