West African Masking Traditions and Diaspora Masquerade Carnivals : History, Memory, and Transnationalism /
"A revisionist account of African masquerade carnivals in transnational context that offers readers a unique perspective on the connecting threads between African cultural trends and African American cultural artifacts"--
I tiakina i:
Kaituhi matua: | |
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Hōputu: | Tāhiko īPukapuka |
Reo: | Ingarihi |
I whakaputaina: |
Rochester, NY :
University of Rochester Press,
2020.
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Rangatū: | Book collections on Project MUSE.
|
Ngā marau: | |
Urunga tuihono: | Full text available: |
Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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Rārangi ihirangi:
- Introduction
- On Origins of Masking: History, Memory, and Ritual Observances
- Aspects of Society and Culture in the Biafra Hinterland
- Bantu Migrations and Cultural Transnationalism in the Ancient Global Age, c. 2500 BCE-1400 CE
- Bight of Biafra, Slavery, and Diasporic Africa in the Modern Global Age, 1400-1800
- Igbo Masquerade Dances in the African Diasporas:Symbols and Meanings
- Unmasking the Masquerade: Counterideologies and Contemporary Practices
- Idioms of Religion, Music, Dance, and African Art Forms
- Memory and Masquerade Narratives: The Art of Remembering.