Unfelt : The Language of Affect in the British Enlightenment /
"Offers a new account of feeling in British Enlightenment literature, showing how writers discreetly evoke a hidden layer of affect that supports and intensifies our strongly felt passions and sentiments"--
Sábháilte in:
Príomhchruthaitheoir: | |
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Formáid: | Leictreonach Ríomhleabhar |
Teanga: | Béarla |
Foilsithe / Cruthaithe: |
Ithaca, New York :
Cornell University Press,
2020.
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Sraith: | Book collections on Project MUSE.
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Ábhair: | |
Rochtain ar líne: | Full text available: |
Clibeanna: |
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Clár na nÁbhar:
- Introduction : unfelt affect
- The insensible parts of Locke's essay
- David Hartley's ghost matter
- Vivacity and insensible association : Condillac and Hume
- Sentiment and secret consciousness : Haywood and Smith
- Unfeeling before sensibility
- External and invisible
- Insensible against involuntary in Burney
- Austen as coda
- The force of the thing : unfelt moeurs in French historiography
- The insensible revolution and Scottish historiography
- Gibbon in history
- The embrace of unfeeling
- Mandeville and the other happiness
- Feeling untaxed
- The money flow
- Invisible versus insensible
- Epilogue : insensible emergence of ideology.