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Borrowed Forms : The Music and Ethics of Transnational Fiction /

A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations.

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Kaituhi matua:	Lachman, Kathryn (Author)
Hōputu:	Tāhiko īPukapuka
Reo:	Ingarihi
I whakaputaina:	Liverpool : Liverpool University Press, 2014.
Rangatū:	Book collections on Project MUSE.
Ngā marau:	Musik Erzähltechnik Transnationalisierung Roman. Music and transnationalism. Music and literature. Literature and transnationalism. BIOGRAPHY & AUTOBIOGRAPHY > Literary. Literary studies: post-colonial literature. Musique et transnationalisme. Litterature et transnationalisme. Musique et litterature > Histoire > 20e siecle. Roman > 20e siecle > Histoire et critique > Theorie, etc. Music and literature > History > 20th century. Fiction > 20th century > History and criticism > Theory, etc. Criticism, interpretation, etc. History. Electronic books.
Urunga tuihono:	Full text available:
Ngā Tūtohu:	Tāpirihia he Tūtohu Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!

Rārangi ihirangi:

From Mikhail Bakhit to Maryse Conde : the problems of literary polyphony
Edward Said and Assia Djebar : Counterpoint and the practice of comparative literature
Glenn Gould and the birth of the author : variation and performance in Nancy Huston's Les variations Goldberg
Opera and the limits of representation in J.M. Coetzee's Disgrace.