Íomhá chlúdaigh

Borrowed Forms : The Music and Ethics of Transnational Fiction /

A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations.

Sábháilte in:
Sonraí bibleagrafaíochta
Príomhchruthaitheoir: Lachman, Kathryn (Údar)
Formáid: Leictreonach Ríomhleabhar
Teanga:Béarla
Foilsithe / Cruthaithe: Liverpool : Liverpool University Press, 2014.
Sraith:Book collections on Project MUSE.
Ábhair:
Musik
Erzähltechnik
Transnationalisierung
Roman.
Music and transnationalism.
Music and literature.
Literature and transnationalism.
BIOGRAPHY & AUTOBIOGRAPHY > Literary.
Literary studies: post-colonial literature.
Musique et transnationalisme.
Litterature et transnationalisme.
Musique et litterature > Histoire > 20e siecle.
Roman > 20e siecle > Histoire et critique > Theorie, etc.
Music and literature > History > 20th century.
Fiction > 20th century > History and criticism > Theory, etc.
Criticism, interpretation, etc.
History.
Electronic books.
Rochtain ar líne:Full text available:
Clibeanna: Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
Clár na nÁbhar:
  • From Mikhail Bakhit to Maryse Conde : the problems of literary polyphony
  • Edward Said and Assia Djebar : Counterpoint and the practice of comparative literature
  • Glenn Gould and the birth of the author : variation and performance in Nancy Huston's Les variations Goldberg
  • Opera and the limits of representation in J.M. Coetzee's Disgrace.

Míreanna comhchosúla