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Borrowed Forms : The Music and Ethics of Transnational Fiction /

Whakaatu ērā atu putanga (1)

A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations.

I tiakina i:
Kaituhi matua: Lachman, Kathryn (Author)
Hōputu: Tāhiko īPukapuka
Reo:Ingarihi
I whakaputaina: Liverpool : Liverpool University Press, 2014.
Rangatū:Book collections on Project MUSE.
Ngā marau:
Musik
Erzähltechnik
Transnationalisierung
Roman.
Music and transnationalism.
Music and literature.
Literature and transnationalism.
BIOGRAPHY & AUTOBIOGRAPHY > Literary.
Literary studies: post-colonial literature.
Musique et transnationalisme.
Litterature et transnationalisme.
Musique et litterature > Histoire > 20e siecle.
Roman > 20e siecle > Histoire et critique > Theorie, etc.
Music and literature > History > 20th century.
Fiction > 20th century > History and criticism > Theory, etc.
Criticism, interpretation, etc.
History.
Electronic books.
Urunga tuihono:Full text available:
Ngā Tūtohu: Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
Rārangi ihirangi:
  • From Mikhail Bakhit to Maryse Conde : the problems of literary polyphony
  • Edward Said and Assia Djebar : Counterpoint and the practice of comparative literature
  • Glenn Gould and the birth of the author : variation and performance in Nancy Huston's Les variations Goldberg
  • Opera and the limits of representation in J.M. Coetzee's Disgrace.

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