Borrowed Forms : The Music and Ethics of Transnational Fiction /
A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations.
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Lenguaje: | inglés |
| Publicado: |
Liverpool :
Liverpool University Press,
2014.
|
| Colección: | Book collections on Project MUSE.
|
| Materias: | |
| Acceso en línea: | Full text available: |
| Etiquetas: |
Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
Tabla de Contenidos:
- From Mikhail Bakhit to Maryse Conde : the problems of literary polyphony
- Edward Said and Assia Djebar : Counterpoint and the practice of comparative literature
- Glenn Gould and the birth of the author : variation and performance in Nancy Huston's Les variations Goldberg
- Opera and the limits of representation in J.M. Coetzee's Disgrace.