Borrowed Forms : The Music and Ethics of Transnational Fiction /
A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations.
Wedi'i Gadw mewn:
| Prif Awdur: | |
|---|---|
| Fformat: | Electronig eLyfr |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Liverpool :
Liverpool University Press,
2014.
|
| Cyfres: | Book collections on Project MUSE.
|
| Pynciau: | |
| Mynediad Ar-lein: | Full text available: |
| Tagiau: |
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
|
Tabl Cynhwysion:
- From Mikhail Bakhit to Maryse Conde : the problems of literary polyphony
- Edward Said and Assia Djebar : Counterpoint and the practice of comparative literature
- Glenn Gould and the birth of the author : variation and performance in Nancy Huston's Les variations Goldberg
- Opera and the limits of representation in J.M. Coetzee's Disgrace.