Screening Race in American Nontheatrical Film /

Screening Race in American Nontheatrical Film /

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Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audience...

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Bibliographic Details
Other Authors: Stewart, Jacqueline Najuma, 1970- (writer of the foreword.), Gordon, Marsha, 1971- (Editor), Field, Allyson Nadia, 1976- (Editor)
Format: Electronic eBook
Language:English
Published: Durham : Duke University Press, 2019.
Series:Book collections on Project MUSE.
Subjects:
Schwarze
Nationale Minderheit
Ethnologie
Bildung
Amateurfilm
Race in motion pictures.
Race awareness in motion pictures.
Motion pictures in education.
Minorities in motion pictures.
Ethnographic films.
Amateur films.
African Americans in motion pictures.
20.10 art and society: general.
24.32 history of film art.
Films d'amateurs > États-Unis.
Films ethnographiques > États-Unis.
Cinema en education > États-Unis.
Minorites au cinema.
Noirs americains au cinema.
Race au cinema.
Amateur films > United States.
Ethnographic films > United States.
Motion pictures in education > United States.
USA
United States.
Electronic books.
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Table of Contents:
  • Foreword. Making voice, taking voice: nonwhite and nontheatrical / Jacqueline Najuma Stewart
  • Introduction / Allyson Nadia Field and Marsha Gordon
  • 'A vanishing race' The Native American films of J.K. Dixon / Caitlin McGrath
  • 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 / Tanya Goldman
  • 'I'll see you in church': local films in African American communities, 1924-1962 / Martin L. Johnson
  • The politics of vanishing celluloid: rediscovering Fort Rupert and the Kwakwaka'wakw in American ethnographic film / Colin Williamson
  • Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 / Walter Forsberg
  • Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art / Colin Gunckel
  • Ever-widening horizons. The National Urban League and the pathologization of blackness. In a world for Jim and a morning for Jimmy / Michelle Kelley
  • 'A touch of the Orient': negotiating Japanese American identity in the challenge (1957) / Todd Kushigemachi and Dino Everett
  • 'I have my choice': behind every good man and the black queer subject in American nontheatrical film / Noah Tsika
  • Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT / Joshua Glick
  • 'A new sense of black awareness?' Navigating expectations in the black cop / Travis L. Wagner and Mark Garrett Cooper
  • 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops / Elena Rossi-Snook and Lauren Tilton
  • Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 / Noelle Griffis
  • Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 / Dan Streible
  • Government-sponsored film and latinidad: Voice of la raza (1971) / Laura Isabel Serna
  • Aestheticizing Asian American assimilation in the learning corporation of America's many Americans series (1970-1982) / Nadine Chan
  • 'The right kind of family': memories to light and the home movie as racialized technology / Crystal Mun-hye Baik
  • Black home movies: time to represent / Jasmyn R. Castro.

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