Ekphrasis : The Illusion of the Natural Sign /

What, in apparently pictorial poetry, do words--can words--represent? Conversely, how can words in a poem be picturable? After decades of reading and thinking about the nature and function of literary representation, Murray Krieger here develops his most systematic theoretical statement out of answe...

Olles dieđut

Furkejuvvon:
Bibliográfalaš dieđut
Váldodahkki: Krieger, Murray, 1923-2000 (Dahkki)
Eará dahkkit: Krieger, Joan
Materiálatiipa: Elektrovnnalaš E-girji
Giella:eaŋgalasgiella
Almmustuhtton: Baltimore : Johns Hopkins University Press, 2019
Ráidu:Book collections on Project MUSE.
Fáttát:
Liŋkkat:Full text available:
Fáddágilkorat: Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
Sisdoallologahallan:
  • Foreword: Of Shields
  • 1. Picture and Word, Space and Time: The Exhilaration
  • and Exasperation
  • of Ekphrasis as a Subject
  • 2. Representation as Illusion: Dramatic Representation and the Natural-Sign Aesthetic
  • 3. Representation as Enargeia I: Verbal Representation and the Natural-Sign Aesthetic
  • 4. Representation as Enargeia II: Nature's Transcendence of the Natural Sign
  • 5. The Verbal Emblem I: The Renaissance
  • 6. Language as Aesthetic Material
  • 7. The Verbal Emblem II: From Romanticism to Modernism
  • 8. A Postmodern Retrospect: Semiotic Desire, Repression in the name of Nature, and a Space for the Ekphrastic
  • Appendix: Ekphrasis and the Still Movement of Poetry; or Laokoon Revisited (1967).