Ekphrasis : The Illusion of the Natural Sign /
What, in apparently pictorial poetry, do words--can words--represent? Conversely, how can words in a poem be picturable? After decades of reading and thinking about the nature and function of literary representation, Murray Krieger here develops his most systematic theoretical statement out of answe...
Wedi'i Gadw mewn:
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| Awduron Eraill: | |
| Fformat: | Electronig eLyfr |
| Iaith: | Saesneg |
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Baltimore :
Johns Hopkins University Press,
2019
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| Cyfres: | Book collections on Project MUSE.
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| Pynciau: | |
| Mynediad Ar-lein: | Full text available: |
| Tagiau: |
Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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Tabl Cynhwysion:
- Foreword: Of Shields
- 1. Picture and Word, Space and Time: The Exhilaration
- and Exasperation
- of Ekphrasis as a Subject
- 2. Representation as Illusion: Dramatic Representation and the Natural-Sign Aesthetic
- 3. Representation as Enargeia I: Verbal Representation and the Natural-Sign Aesthetic
- 4. Representation as Enargeia II: Nature's Transcendence of the Natural Sign
- 5. The Verbal Emblem I: The Renaissance
- 6. Language as Aesthetic Material
- 7. The Verbal Emblem II: From Romanticism to Modernism
- 8. A Postmodern Retrospect: Semiotic Desire, Repression in the name of Nature, and a Space for the Ekphrastic
- Appendix: Ekphrasis and the Still Movement of Poetry; or Laokoon Revisited (1967).