The Work of Authorship /
Technological and economic concerns have long been the drivers of debate about copyright. But diverse disciplines in the humanities - including literary studies, aesthetics, film studies, and the philosophy of art - have a great deal to offer if we wish to establish a more nuanced and useful concept...
I tiakina i:
| Ētahi atu kaituhi: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Baltimore, Maryland :
Project Muse,
2020
|
| Rangatū: | Book collections on Project MUSE.
|
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Voices near and far : introduction / Mireille van Eechoud
- Creative work and communicative norms : perspectives from legal philosophy / Laura Biron
- Romantic authorship in copyright law and the uses of aesthetics / Erlend Lavik
- Creativity, autonomy and personal touch : a critical appraisal of the CJEU's originality test for copyright / Stef van Gompel
- Adapting the work / Mireille van Eechoud
- Reassessing the challenge of the digital : an empirical perspective on authorship and copyright / Elena Cooper
- Creativity and the sense of collective ownership in theatre and popular music / Jostein Gripsrud
- Discontinuities between legal conceptions of authorship and social practices : what, if anything, is to be done? / Lionel Bently and Laura Biron.