Film Museum Practice and Film Historiography : The Case of the Nederlands Filmmuseum (1946-2000) /
Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces...
محفوظ في:
| المؤلف الرئيسي: | |
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| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية |
| منشور في: |
Amsterdam :
Amsterdam University Press,
[2017]
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| سلاسل: | Book collections on Project MUSE.
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Full text available: |
| الوسوم: |
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| الملخص: | Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. The result is a compelling argument that film archives can never be viewed simply as innocent or neutral sources of film history. |
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| وصف مادي: | 1 online resource (245 pages): illustrations |
| ردمك: | 9789048526741 |
| وصول: | Open Access |