Digital Passages: Migrant Youth 2.0 : Diaspora, Gender and Youth Cultural Intersections /
Increasingly, young people live online, with the vast majority of their social and cultural interactions conducted through means other than face-to-face conversation. How does this transition impact the ways in which young migrants understand, negotiate, and perform identity? That's the questio...
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| フォーマット: | 電子媒体 eBook | 
| 言語: | 英語 | 
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        Amsterdam :
          Amsterdam University Press,
    
        [2015]
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| シリーズ: | Book collections on Project MUSE.
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                目次: 
            
                  - Cover
 - Table of Contents
 - Acknowledgements
 - Introduction
 - 1. Online/offline space and power relations
 - Digital divides
 - Internet platforms as passages
 - Space invader tactics
 - 2. Digital identity performativity
 - Micro-politics
 - Intersectionality
 - Digital identities: Materiality, representation & affectivity
 - 3. Moroccan-Dutchness in the context of the Netherlands
 - Deconstructing labels
 - 4. The transnational habitus of second-generation migrant youth: From roots to routes
 - 5. Hypertextual selves: Digital conviviality
 - 6. Structure of the book
 - 1. Methodological trajectory
 - 1.1 Empiricism versus constructivism
 - 1.2 The Wired Up survey
 - Constructing the survey
 - The power of definition
 - Survey sampling and access
 - Conducting the survey
 - Descriptive survey data about digital practices of Moroccan-Dutch youth
 - 1.3 In-depth interviews
 - Interview sampling
 - Doing interviews using participatory techniques
 - Reflexivity and power relations
 - Inside and outside school: The dynamics of interview settings
 - Selecting field sites
 - 1.4 Virtual ethnography
 - Publicly accessible digital field sites
 - Accessing closed digital field sites
 - 1.5 Analyzing informants' narratives
 - Politics of translation
 - Coding
 - Feminist poststructuralist critical discourse analysis
 - 1.6 Conclusions
 - 2. Voices from the margins on Internet forums
 - 2.1 Internet forum participation among Moroccan-Dutch youth
 - Marokko.nl and Chaima.nl
 - 2.2 Theorizing Internet forums as subaltern counterpublics
 - 2.3 Digital multiculturalism: "Not all Moroccans are the same"
 - Hush harbors
 - The carnivalesque
 - Networked power contradictions
 - 2.4 Digital "hchouma": Renegotiating gender
 - Daring to break taboos: "I just want to know what 'the real deal' is"
 - 2.5 Digital postsecularism: Performing Muslimness.
 - Digital reconfigurations of religious authority
 - Voicing Muslimness
 - 2.6 Conclusions
 - 3. Expanding socio-cultural parameters of action using Instant messaging
 - 3.1 Moroccan-Dutch youth using instant messaging
 - 3.2 Theorizing instant messaging as a way of being in the world
 - 3.3 The private backstage
 - Conversational topics
 - Boundary making
 - Unstable boundaries: Risks and opportunities
 - 3.4 The more public onstage
 - Display pictures and gender stereotypes
 - Display names and bricolage
 - A funky, informal writing style
 - 3.5 Conclusions
 - 4. Selfies and hypertextual selves on social networking sites
 - 4.1 Moroccan-Dutch youth on Hyves and Facebook
 - Self-profiling attributes
 - Motivations
 - 4.2 Theorizing the politics of online social networking sites
 - Templates and user cultures
 - Neoliberal SNS logics
 - Teenager SNS logics
 - 4.3 Selfies and the gendered gaze
 - Selfie ideals
 - Meeting the gaze: Objectification and/or representation
 - Victimization and cautionary measures
 - In-betweenness
 - 4.4 Hypertextual selves and the micro-politics of association
 - Cultural self-profiling as fandom
 - Differential networking
 - Cosmopolitan perspectives
 - 4.5 Conclusions
 - 5. Affective geographies on YouTube
 - 5.1 Moroccan-Dutch youth using YouTube
 - The Ummah
 - Fitna
 - 5.2 Theorizing the politics of YouTube
 - 5.3 Theorizing affective geographies and YouTube use
 - 5.4 Rooted belongings: Transnational affectivity
 - 5.5 Routed affective belongings across geographies
 - 5.6 Conclusions
 - Conclusions
 - 1. Transdisciplinary dialogues
 - 2. Methodological considerations
 - 3. Digital inequality and spatial hierarchies
 - 4. Space invader tactics and digital belonging
 - Bibliography
 - Appendix 1: Meet the informants
 - Index
 - List of figures.
 - Fig. 1: "Mocro's be like. Born Here," tweet @Nasrdin_Dchar (March 17, 2014)
 - Fig. 2: Geweigerd.nl website top banner (March 6, 2005).
 - Fig. 3: Google.nl search for "Marokkanen" (June 28, 2012)
 - Fig. 4: Internet map made by Soesie, a thirteen-year-old girl
 - Fig. 5: Word cloud based on all Internet applications included in the Internet maps of the informants
 - Fig. 6: Four different approaches to discourse analysis (Phillips and Hardy, 2002, p. 20)
 - Fig. 7: "Average Moroccan boys look like this," forum user Mocro_s contesting Moroccan-Dutch masculinity (Mocro_s, 2007a)
 - Fig. 8: "Average Moroccan girls look like this," forum user Mocro_s contesting Moroccan-Dutch femininity (Mocro_s, 2007b)
 - Fig. 9: Forum user Mocro_s contesting Moroccan-Dutch religiosity (Mocro_s, 2007b)
 - Fig. 10: Cartoon Overvaren (in English: Sailing Across) (Rafje.nl, 2011)
 - Fig. 11: Screenshot of an MSN Messenger conversation with twelve-year-old Soufian (July 22, 2011)
 - Fig. 12: Hyves groups thirteen-year-old Anas linked to on his Hyves profile page (July 22, 2011)
 - Fig. 13: Facebook advertisements (advertisements appeared on October 16, 2011, and January 11, 2012)
 - Fig. 14: Still from Bezems 2010.!! uploaded by user Bezemswalla on YouTube (February 8, 2010)
 - Fig. 15: Hyves groups Midia linked to on her Hyves profile page (April 15, 2009)
 - Fig. 16: "I'm a Berber Soldier," archived from http://imazighen.hyves.nl (September 19, 2009)
 - Fig. 17: "Error," archived from http://trotsopmarokko.hyves.nl (October 23, 2009)
 - Fig. 18: "100% Marokaan," archived from http://trotsopmarokko.hyves.nl (October 23, 2009)
 - Fig. 19: Still from Kop of Munt, YouTube video uploaded by MUNT (October 20, 2009)
 - Fig. 20: Still from Marrakech, Morocco City Drive, YouTube video uploaded by eMoroccan (October 8, 2010)
 - List of tables.
 - Table 1: Time frame of different fieldwork activities
 - Table 2: Frequency of non-Internet media use among Moroccan-Dutch youth (percentages, n = 344)
 - Table 3: The interviewees
 - names are pseudonyms suggested by the informants
 - Table 4: The importance of online discussion forums in the lives of Moroccan-Dutch youth (percentages, n = 344)
 - Table 5: The importance of instant messaging in the lives of Moroccan-Dutch youth (percentages, n = 344)
 - Table 6: The importance of social networking sites in the lives of Moroccan-Dutch youth (percentages, n = 344)
 - Table 7: Self-profiling cultural affiliations (n = 344 Moroccan-Dutch and 448 ethnic-majority Dutch respondents)
 - Table 8: The importance of YouTube in the lives of Moroccan-Dutch youth (percentages, n = 344)
 - List of diagrams
 - Diagram 1: Subcultural affiliations as expressed by the Moroccan-Dutch survey respondents (percentages, multiple answers possible, n = 344)
 - Diagram 2: Locations where Moroccan-Dutch youth connect to the Internet (percentages, n = 344)
 - Diagram 3: Internet application user frequencies of Moroccan-Dutch youth (means, 5-point scale, n = 344)
 - Diagram 4: The attachment of Moroccan-Dutch youth to various Internet applications (means, 3-point scale, n = 344)
 - Diagram 5: Attention for major news events on nl.politiek and Marokko.nl (adapted from Van Stekelenburg, Oegema & Klandermans, 2011, p. 263)
 - Diagram 6: Topics Moroccan-Dutch youth report to discuss (graph shows percentages, n = 344)
 - Diagram 7: Moroccan-Dutch youth self-reporting SNS profiling attributes (graph shows percentages, n = 344)
 - Diagram 8: Reasons for participating in self-profiling on SNSs (multiple answers possible, graph shows percentages, n = 344)
 - Diagram 9: Selfie ideals reported by Moroccan-Dutch youth (multiple answers possible, percentages, n = 344).
 - Diagram 10: Moroccan-Dutch youth cultural self-profiling on SNSs (multiple answers possible, graph shows percentages, n = 344)
 - Diagram 11: Geographical locations of music artists interviewees look up on YouTube (percentages, multiple answers possible, n = 43)
 - Diagram 12: Geographical locations of artists interviewees combine in their YouTube viewing practices (percentages, n = 43).