The Greatest Films Never Seen : The Film Archive and the Copyright Smokescreen /
Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in thei...
保存先:
| 第一著者: | |
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| フォーマット: | 電子媒体 eBook |
| 言語: | 英語 |
| 出版事項: |
Amsterdam [Netherlands] :
EYE Filmmuseum,
[2018]
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| シリーズ: | Framing film (Amsterdam, Netherlands)
Book collections on Project MUSE. |
| 主題: | |
| オンライン･アクセス: | Full text available: |
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| 要約: | Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in their collections. The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general public. |
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| 記述事項: | Issued as part of book collections on Project MUSE. |
| 物理的記述: | 1 online resource (173 pages): illustrations. |
| 書誌: | Includes bibliographical references, filmography, and index. |
| ISBN: | 9789048531042 |
| アクセス: | Open Access |