The Greatest Films Never Seen : The Film Archive and the Copyright Smokescreen /
Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in thei...
Պահպանված է:
| Հիմնական հեղինակ: | |
|---|---|
| Ձևաչափ: | Էլեկտրոնային էլ․ գիրք |
| Լեզու: | անգլերեն |
| Հրապարակվել է: |
Amsterdam [Netherlands] :
EYE Filmmuseum,
[2018]
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| Շարք: | Framing film (Amsterdam, Netherlands)
Book collections on Project MUSE. |
| Խորագրեր: | |
| Առցանց հասանելիություն: | Full text available: |
| Ցուցիչներ: |
Ավելացրեք ցուցիչ
Չկան պիտակներ, Եղեք առաջինը, ով նշում է այս գրառումը!
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| Ամփոփում: | Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in their collections. The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general public. |
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| Նյութի նկարագրություն: | Issued as part of book collections on Project MUSE. |
| Ֆիզիկական նկարագրություն: | 1 online resource (173 pages): illustrations. |
| Մատենագիտություն: | Includes bibliographical references, filmography, and index. |
| ISBN: | 9789048531042 |
| Հասանելի: | Open Access |