Technology and Film Scholarship : Experience, Study, Theory /
This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography an...
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Format: | Electronic eBook |
Language: | English |
Published: |
Amsterdam :
Amsterdam University Press,
[2018]
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Series: | Book collections on Project MUSE.
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Online Access: | Full text available: |
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008 | 180118s2018 ne o 00 0 eng d | ||
020 | |a 9789048525270 | ||
020 | |z 9789089647542 | ||
035 | |a (OCoLC)1111314142 | ||
040 | |a MdBmJHUP |c MdBmJHUP | ||
245 | 0 | 0 | |a Technology and Film Scholarship : |b Experience, Study, Theory / |c edited by Santiago Hidalgo ; foreword by Andre Gaudreault. |
264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2018] | |
264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2019 | |
264 | 4 | |c ©[2018] | |
300 | |a 1 online resource (408 pages): |b illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 0 | |a Film theory in media history | |
505 | 0 | 0 | |g Foreword / |r Andre Gaudreault -- |g Introduction: |t The discursive spaces between a history of film technology and technological experience / |r Santiago Hidalgo -- |g Section I |t Experience -- |g 1. |t When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / |r Charles Musser -- |g 2. |t Exhibition Practices in Transition: Spectators, Audiences, and Projectors / |r Jan Olsson -- |g 3. |t Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / |r Andre Habib -- |g 4. |t Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / |r Dana Cooley -- |g Section II |t Study -- |g 5. |t Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / |r David Colangelo -- |g 6. |t Film Analysis and Statistics: A Field Report / |r Charles O'Brien -- |g 7. |t A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History / |r Paul Moore -- |g Section III |t Theory -- |g 8. |t Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / |r Tom Gunning -- |g 9. |t Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / |r Vinzenz Hediger -- |g 10. |t On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema / |r Benoit Turquety. |
506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
520 | 8 | |a This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field as Tom Gunning, Charles Musser, Jan Olsson and Vinzenz Hediger. | |
588 | |a Description based on print version record. | ||
650 | 7 | |a Performing Arts. |2 ukslc | |
650 | 7 | |a Filmtheorie |2 gnd | |
650 | 7 | |a Technology in motion pictures. |2 fast |0 (OCoLC)fst01145293 | |
650 | 7 | |a Performing Arts. |2 eflch | |
650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
650 | 6 | |a Technologie au cinema |x Histoire. | |
650 | 0 | |a Technology in motion pictures |x History. | |
655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
655 | 7 | |a Electronic books. |2 local | |
700 | 1 | |a Gaudreault, Andre, |e writer of foreword. | |
700 | 1 | |a Hidalgo, Santiago, |e editor. | |
710 | 2 | |a Project Muse. |e distributor | |
830 | 0 | |a Book collections on Project MUSE. | |
856 | 4 | 0 | |z Full text available: |u https://muse.jhu.edu/book/66334/ |
999 | |c 232533 |d 232532 |