Farocki/Godard : Film as Theory /
This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker...
में बचाया:
| मुख्य लेखक: | |
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| निगमित लेखक: | |
| अन्य लेखक: | |
| स्वरूप: | इलेक्ट्रोनिक ई-पुस्तक |
| भाषा: | अंग्रेज़ी जर्मन |
| प्रकाशित: |
Baltimore, Maryland :
Project Muse,
2019
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| श्रृंखला: | Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ;
Bd. 25. Film culture in transition. Book collections on Project MUSE. |
| विषय: | |
| ऑनलाइन पहुंच: | Full text available: |
| टैग: |
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| सारांश: | This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory." |
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| वस्तु वर्णन: | "Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso. Issued as part of book collections on Project MUSE. |
| भौतिक वर्णन: | 1 online resource (348 pages): illustrations. |
| ग्रन्थसूची: | Includes bibliographical references (pages 263-275) and indexes. |
| आईएसबीएन: | 9789048527557 |
| अभिगमन: | Open Access |