Farocki/Godard : Film as Theory /

This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker...

Popoln opis

Shranjeno v:
Bibliografske podrobnosti
Glavni avtor: Pantenburg, Volker, 1973- (Author)
Korporativna značnica: Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie
Drugi avtorji: Turnbull, Michael, 1959- (Translator)
Format: Elektronski eKnjiga
Jezik:angleščina
nemščina
Izdano: Baltimore, Maryland : Project Muse, 2019
Serija:Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; Bd. 25.
Film culture in transition.
Book collections on Project MUSE.
Teme:
Online dostop:Full text available:
Oznake: Označite
Brez oznak, prvi označite!
Opis
Izvleček:This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."
Opis knjige/članka:"Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso.
Issued as part of book collections on Project MUSE.
Fizični opis:1 online resource (348 pages): illustrations.
Bibliografija:Includes bibliographical references (pages 263-275) and indexes.
ISBN:9789048527557
Dostop:Open Access