Farocki/Godard : Film as Theory /

This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker...

Descrizione completa

Salvato in:
Dettagli Bibliografici
Autore principale: Pantenburg, Volker, 1973- (Autore)
Ente Autore: Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie
Altri autori: Turnbull, Michael, 1959- (Traduttore)
Natura: Elettronico eBook
Lingua:inglese
tedesco
Pubblicazione: Baltimore, Maryland : Project Muse, 2019
Serie:Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; Bd. 25.
Film culture in transition.
Book collections on Project MUSE.
Soggetti:
Accesso online:Full text available:
Tags: Aggiungi Tag
Nessun Tag, puoi essere il primo ad aggiungerne!!
Descrizione
Riassunto:This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."
Descrizione del documento:"Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso.
Issued as part of book collections on Project MUSE.
Descrizione fisica:1 online resource (348 pages): illustrations.
Bibliografia:Includes bibliographical references (pages 263-275) and indexes.
ISBN:9789048527557
Accesso:Open Access