Farocki/Godard : Film as Theory /

This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker...

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Detaylı Bibliyografya
Yazar: Pantenburg, Volker, 1973- (Yazar)
Müşterek Yazar: Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie
Diğer Yazarlar: Turnbull, Michael, 1959- (Çevirmen)
Materyal Türü: Elektronik Ekitap
Dil:İngilizce
Almanca
Baskı/Yayın Bilgisi: Baltimore, Maryland : Project Muse, 2019
Seri Bilgileri:Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; Bd. 25.
Film culture in transition.
Book collections on Project MUSE.
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Online Erişim:Full text available:
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Diğer Bilgiler
Özet:This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."
Diğer Bilgileri:"Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso.
Issued as part of book collections on Project MUSE.
Fiziksel Özellikler:1 online resource (348 pages): illustrations.
Bibliyografya:Includes bibliographical references (pages 263-275) and indexes.
ISBN:9789048527557
Erişim:Open Access