Cinema of Confinement /
"In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred H...
-д хадгалсан:
| Үндсэн зохиолч: | |
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| Формат: | Цахим Цахим ном |
| Хэл сонгох: | англи |
| Хэвлэсэн: |
Evanston, Illinois :
Northwestern University Press,
2019.
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| Цуврал: | Book collections on Project MUSE.
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| Нөхцлүүд: | |
| Онлайн хандалт: | Full text available: |
| Шошгууд: |
Шошго нэмэх
Шошго байхгүй, Энэхүү баримтыг шошголох эхний хүн болох!
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Агуулга:
- Introduction: Excess, the gaze, and cinema of confinement
- Excess in confinement in Room and Green room
- Big window, big other: enjoyment and spectatorship in Alfred Hitchcock's Rope
- Interior confinement: shattering and disintegration in Ingmar Bergman's The passion of Anna
- It "over-looks": movement and stillness in Stanley Kubrick's The shining
- "It's just a show?" Paranoia and provocation in Oliver Stone's Talk radio
- Voices, telephones, and confined spaces: Phone booth and Locke
- Captive, captor, and aliens: 10 Cloverfield lane
- Conclusion: 127 hours, The wall, Panic room, and Cyberspace.