صورة الغلاف

Cinema of Confinement /

"In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred H...

وصف كامل

محفوظ في:
التفاصيل البيبلوغرافية
المؤلف الرئيسي: Connelly, Thomas J., 1971- (مؤلف)
التنسيق: الكتروني كتاب الكتروني
اللغة:الإنجليزية
منشور في: Evanston, Illinois : Northwestern University Press, 2019.
سلاسل:Book collections on Project MUSE.
الموضوعات:
Motion pictures > Setting and scenery.
Gaze in motion pictures.
Excess (Philosophy)
Performing arts.
Performing Arts / Film / History & Criticism.
Cinema > Decors.
Regard au cinema.
Exces (Philosophie)
Arts du spectacle.
Framing (Cinematography) > Psychological aspects.
Electronic books.
الوصول للمادة أونلاين:Full text available:
الوسوم: إضافة وسم
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جدول المحتويات:
  • Introduction: Excess, the gaze, and cinema of confinement
  • Excess in confinement in Room and Green room
  • Big window, big other: enjoyment and spectatorship in Alfred Hitchcock's Rope
  • Interior confinement: shattering and disintegration in Ingmar Bergman's The passion of Anna
  • It "over-looks": movement and stillness in Stanley Kubrick's The shining
  • "It's just a show?" Paranoia and provocation in Oliver Stone's Talk radio
  • Voices, telephones, and confined spaces: Phone booth and Locke
  • Captive, captor, and aliens: 10 Cloverfield lane
  • Conclusion: 127 hours, The wall, Panic room, and Cyberspace.

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