Viral Performance : Contagious Theaters from Modernism to the Digital Age /

"Digital culture has occasioned a seismic shift in the discourse around contagion, transmission, and viral circulation. Yet theater, in the cultural imagination, has always been contagious. Viral Performance proposes the concept of the viral as an essential means of understanding socially engag...

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Bibliographic Details
Main Author: Felton-Dansky, Miriam (Author)
Format: Electronic eBook
Language:English
Published: Evanston, Illinois : Northwestern University Press, 2018.
Series:Book collections on Project MUSE.
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Online Access:Full text available:
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245 1 0 |a Viral Performance :   |b Contagious Theaters from Modernism to the Digital Age /   |c Miriam Felton-Dansky. 
264 1 |a Evanston, Illinois :  |b Northwestern University Press,  |c 2018. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©2018. 
300 |a 1 online resource (256 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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505 0 |a Introduction: A history of contagion -- Performing plague : the Living Theatre and Antonin Artaud -- Towards an audience vocabulary : Marc Estrin, Augusto Boal, and General Idea -- Germ theater : Critical Art Ensemble, Eva and Franco Mattes, and Christoph Schlingensief -- "Everything is everywhere": viral performance networks -- Conclusion: Virus in the theater. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a "Digital culture has occasioned a seismic shift in the discourse around contagion, transmission, and viral circulation. Yet theater, in the cultural imagination, has always been contagious. Viral Performance proposes the concept of the viral as an essential means of understanding socially engaged and transmedial performance practices since the mid-twentieth century. Its chapters rethink the Living Theatre's Artaudian revolution through the lens of affect theory, bring fresh attention to General Idea's media-savvy performances of the 1970s, explore the digital-age provocations of Franco and Eva Mattes and Critical Art Ensemble, and survey the dramaturgies and political stakes of global theatrical networks. Viral performance practices testify to the age-old-and ever renewed-instinct that when people gather, something spreads. Performance, an art form requiring and relying on live contact, renders such spreading visible, raises its stakes, and encodes it in theatrical form. The artists explored here rarely disseminate their ideas or gestures as directly as a viral marketer or a political movement would; rather, they undermine simplified forms of contagion while holding dialogue with the philosophical and popular discourses, old and new, that have surrounded viral culture. Viral Performance argues that the concept of the viral is historically deeper than immediate associations with the contemporary digital landscape might suggest, and far more intimately linked to live performance"--Provided by publisher 
588 |a Description based on print version record. 
650 7 |a Theater and society.  |2 fast  |0 (OCoLC)fst01149315 
650 7 |a Theater and social media.  |2 fast  |0 (OCoLC)fst01930647 
650 7 |a Experimental theater.  |2 fast  |0 (OCoLC)fst00918508 
650 7 |a PERFORMING ARTS  |x General.  |2 bisacsh 
650 6 |a Theâtre et societe. 
650 0 |a Experimental theater  |y 20th century. 
650 0 |a Experimental theater  |y 21st century. 
650 0 |a Theater and society. 
650 0 |a Theater and social media. 
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856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/58878/ 
945 |a Project MUSE - 2018 Complete 
945 |a Project MUSE - 2018 Film, Theater and Performing Arts 
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