Genius Envy : Women Shaping French Poetic History, 1801–1900 /
"Analyzes the reception of nineteenth-century French women poets, including Marceline Desbordes-Valmore, Amable Tastu, Élisa Mercoeur, Melanie Waldor, Louise Colet, Anaïs Segalas, Malvina Blanchecotte, Louise Ackermann, and Marie Krysinska, to recover the diversity of women's voices. Places their co...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi Wīwī |
| I whakaputaina: |
University Park, Pennsylvania :
The Pennsylvania State University Press,
[2016]
|
| Rangatū: | Book collections on Project MUSE.
|
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Un/sexing genius
- Literary reception and its discontents
- The other history of French poetry, 1801-1900
- Anaïs Segalas on race, gender, and "la mission civilisatrice"
- Work, genius, and the in-between in Malvina Blanchecotte
- The poetic edges of dualism in Louisa Siefert
- Louise Ackermann's turn to science
- Marie Krysinska on eve, evolution, and the property of genius.