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Tainted Souls and Painted Faces : The Rhetoric of Fallenness in Victorian Culture /

Sábháilte in:
Sonraí bibleagrafaíochta
Príomhchruthaitheoir: Anderson, Amanda, 1960-
Formáid: Leictreonach Ríomhleabhar
Teanga:Béarla
Foilsithe / Cruthaithe: Ithaca : Cornell University Press, 1993.
Sraith:Book collections on Project MUSE.
Ábhair:
Geschichte 1837-1901.
Geschichte 1832-1902.
litterature anglaise > prostitution > 19e s.
Rôle selon le sexe > Dans la litterature.
Prostitution dans la litterature.
Prostitution > Histoire > Grande-Bretagne > 19e siecle.
Femmes et litterature > Grande-Bretagne > 19e siecle.
Litterature anglaise > 19e siecle > Histoire et critique.
Sex role in literature.
Prostitution in literature.
Moral conditions in literature.
Prostitution > Great Britain > History > 19th century.
Women and literature > Great Britain > 19th century.
French literature > 19th century > History and criticism.
Engels.
Prostitutie.
Vrouwen.
Letterkunde.
Prostituierte
Prostituierte > Motiv
Moral > Motiv
Literatur
Geschlechterrolle > Motiv
Gefallenes Mädchen
Frau > Motiv
Englisch
Women and literature.
Prostitution.
Prostitutes in literature.
English literature.
Rôle selon le sexe dans la litterature.
Prostituees dans la litterature.
Conditions morales dans la litterature.
Prostitution > Grande-Bretagne > Histoire > 19e siecle.
Femmes et litterature > Grande-Bretagne > Histoire > 19e siecle.
Literatur.
Geschichte.
Frau.
Englisch.
Prostitution - Grande-Bretagne - Histoire - 19e siecle.
Litterature anglaise - 19e siecle - Histoire et critique.
Femmes et litterature - Grande-Bretagne - Histoire - 19e siecle.
Women and literature > Great Britain > History > 19th century.
English literature > 19th century > History and criticism.
Great Britain.
Grossbritannien.
History.
Criticism, interpretation, etc.
Electronic books.
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Clár na nÁbhar:
  • Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil"
  • "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens
  • Melodrama, morbidity, and unthinking sympathy: Gaskell's Mary Barton and Ruth
  • Dramatic monologue in crisis: agency and exchange in G.G. Rossetti's "Jenny"
  • Reproduced in finer motions: encouraging the fallen in Barrett Browning's Aurora Leigh
  • Afterword: intersubjectivity and the politics of poststructuralism.

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