Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas /
Na minha lista:
Autor principal: | |
---|---|
Formato: | Recurso Eletrônico livro eletrônico |
Idioma: | inglês |
Publicado em: |
Denton, Tex. :
University of North Texas Press,
2008.
|
coleção: | Book collections on Project MUSE.
|
Assuntos: | |
Acesso em linha: | Full text available: |
Tags: |
Adicionar Tag
Sem tags, seja o primeiro a adicionar uma tag!
|
Sumário:
- Tonality as drama: an introduction
- Dramatic closure: the Stanislavsky system and the attainment of character objectives
- Tonal closure: a Schenkerian approach to tonal drama
- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911)
- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935)
- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947)
- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).