Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas /

محفوظ في:

التفاصيل البيبلوغرافية
المؤلف الرئيسي:	Latham, Edward David
التنسيق:	الكتروني كتاب الكتروني
اللغة:	الإنجليزية
منشور في:	Denton, Tex. : University of North Texas Press, 2008.
سلاسل:	Book collections on Project MUSE.
الموضوعات:	Opera > United States > 20th century. Operas > Analysis, appreciation. Copland, Aaron, > 1900-1990. > Tender land. Gershwin, George, > 1898-1937. > Porgy and Bess. Weill, Kurt, > 1900-1950. > Street scene. Joplin, Scott, > 1868-1917. > Treemonisha. Electronic books.
الوصول للمادة أونلاين:	Full text available:
الوسوم:	إضافة وسم لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!

جدول المحتويات:

Tonality as drama: an introduction
Dramatic closure: the Stanislavsky system and the attainment of character objectives
Tonal closure: a Schenkerian approach to tonal drama
The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911)
The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935)
The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947)
The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).

مواد مشابهة