Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas /
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Denton, Tex. :
University of North Texas Press,
2008.
|
| Series: | Book collections on Project MUSE.
|
| Subjects: | |
| Online Access: | Full text available: |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_5458 | ||
| 003 | MdBmJHUP | ||
| 005 | 20240815120719.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 080325s2008 txu o 00 0 eng d | ||
| 010 | |z 2008013679 | ||
| 020 | |a 9781574413717 | ||
| 020 | |z 9781574412499 | ||
| 035 | |a (OCoLC)621699410 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 043 | |a n-us--- | ||
| 050 | 0 | 4 | |a MT95 |b .L37 2008 |
| 082 | 0 | |a 782.10973 |2 22 | |
| 100 | 1 | |a Latham, Edward David. | |
| 245 | 1 | 0 | |a Tonality as Drama : |b Closure and Interruption in Four Twentieth-Century American Operas / |c Edward D. Latham. |
| 264 | 1 | |a Denton, Tex. : |b University of North Texas Press, |c 2008. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2012 | |
| 264 | 4 | |c ©2008. | |
| 300 | |a 1 online resource (240 pages): |b ill. ; | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (p. 193-210) and index. | ||
| 505 | 0 | |a Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954). | |
| 506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Opera |z United States |y 20th century. | |
| 650 | 0 | |a Operas |x Analysis, appreciation. | |
| 600 | 1 | 0 | |a Copland, Aaron, |d 1900-1990. |t Tender land. |
| 600 | 1 | 0 | |a Gershwin, George, |d 1898-1937. |t Porgy and Bess. |
| 600 | 1 | 0 | |a Weill, Kurt, |d 1900-1950. |t Street scene. |
| 600 | 1 | 0 | |a Joplin, Scott, |d 1868-1917. |t Treemonisha. |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Full text available: |u https://muse.jhu.edu/book/5458/ |
| 945 | |a Project MUSE - Archive Complete Foundation | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Foundation | ||
| 999 | |c 230577 |d 230576 | ||