The Chatter of the Visible : Montage and Narrative in Weimar Germany /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Ann Arbor :
University of Michigan Press,
[2016]
|
| Ráidu: | Book collections on Project MUSE.
|
| Fáttát: | |
| Liŋkkat: | Full text available: |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Introduction
- 1. Weimar-Era Montage: Perception, Expression, Storytelling
- 2. The Narrative Restitution of Experience: Walter Benjamin's Storytelling
- 3. Storytelling in the Age of Its Technological Reproducibility: Benjamin on Film and Montage
- 4. Narrating in Three Dimensions: László Moholy-Nagy's "Vision in Motion"
- 5. Narrative Resemblance and the Modernist Photobook
- 6. Abstraction and Montage in the Work of Kurt Schwitters
- Conclusion: Montage after Weimar.