The Chatter of the Visible : Montage and Narrative in Weimar Germany /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Ann Arbor :
University of Michigan Press,
[2016]
|
| Rangatū: | Book collections on Project MUSE.
|
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- 1. Weimar-Era Montage: Perception, Expression, Storytelling
- 2. The Narrative Restitution of Experience: Walter Benjamin's Storytelling
- 3. Storytelling in the Age of Its Technological Reproducibility: Benjamin on Film and Montage
- 4. Narrating in Three Dimensions: László Moholy-Nagy's "Vision in Motion"
- 5. Narrative Resemblance and the Modernist Photobook
- 6. Abstraction and Montage in the Work of Kurt Schwitters
- Conclusion: Montage after Weimar.