Local Portraiture : Through the Lens of the 19th Century Iranian Photographers /

Photography is clearly not a mirror of daily life: that images are constructions is especially obvious in19th-century studio portrait photography. This book explores how indigenous Iranian photographers constructed their own realities in contrast to how foreign photographers constructed Iranians...

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Bibliographic Details
Main Author: Perez González, Carmen, 1969- (Author)
Format: Electronic eBook
Language:English
Arabic
Published: Leiden : Leiden University Press, [2012]
Series:Book collections on Project MUSE.
Subjects:
Online Access:Full text available:
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020 |z 9789087281564 
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040 |a MdBmJHUP  |c MdBmJHUP 
041 1 |a eng  |a ara  |h ara 
100 1 |a Perez González, Carmen,  |d 1969-  |e author. 
245 1 0 |a Local Portraiture :   |b Through the Lens of the 19th Century Iranian Photographers /   |c Carmen Perez González. 
264 1 |a Leiden :  |b Leiden University Press,  |c [2012] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©[2012] 
300 |a 1 online resource (330 pages):   |b facsimiles, illustrations (some color), portraits (some color). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Iranian Studies Series 
505 0 |a Visual literacy : the relationship between the direction of writing and composition -- The written image : text and photography -- Pose, gesture and objects held by the sitter -- Arrangement of space -- Interactions between Western and Iranian photography. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a Photography is clearly not a mirror of daily life: that images are constructions is especially obvious in19th-century studio portrait photography. This book explores how indigenous Iranian photographers constructed their own realities in contrast to how foreign photographers constructed Iranians' realities. Through an in-depth comparative visual analysis of 19th-century Iranian portrait photography and Persian painting, the author arrives at the insight that aesthetic preferences correlate with socio-cultural habits and practices in writing, reading and looking. Subsequently, she advocates for a place in a global history of photography for those unknown, local photo histories (such as the Iranian one) and for the indigenous photographers who produced them. 
546 |a In English; occasional phrases in Arabic with English translations. 
588 |a Description based on print version record. 
650 6 |a Portraits (Photographie)  |z Iran  |x Histoire  |y 19e siecle. 
650 7 |a Portrait photography.  |2 fast  |0 (OCoLC)fst01072259 
650 7 |a TECHNOLOGY & ENGINEERING  |x Imaging Systems.  |2 bisacsh 
650 7 |a PHOTOGRAPHY  |x Reference.  |2 bisacsh 
650 7 |a COMPUTERS  |x Digital Media  |x Photography.  |2 bisacsh 
650 0 |a Portrait photography  |z Iran  |x History  |y 19th century. 
651 7 |a Iran.  |2 fast  |0 (OCoLC)fst01204889 
651 0 |a Iran  |v Biography  |v Portraits. 
655 7 |a Portraits.  |2 fast  |0 (OCoLC)fst01423831 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Biographies.  |2 fast  |0 (OCoLC)fst01919896 
655 0 |a Electronic book. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/46346/ 
945 |a Project MUSE - Archive Middle Eastern Studies Supplement II 
945 |a Project MUSE - Archive Complete Supplement V 
945 |a Project MUSE - Archive Global Cultural Studies Supplement V 
999 |c 231835  |d 231834