Ata uhi

Sounds of the Underground : A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music /

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In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from tradition...

Whakaahuatanga katoa

I tiakina i:
Ngā taipitopito rārangi puna kōrero
Kaituhi matua: Graham, Stephen (Musicologist) (Author)
Hōputu: Tāhiko īPukapuka
Reo:Ingarihi
I whakaputaina: Ann Arbor : University of Michigan Press, [2016]
Rangatū:Book collections on Project MUSE.
Ngā marau:
Underground music.
Subculture.
MUSIC > General.
MUSIC > Instruction & Study > Theory.
Musique underground > Histoire et critique.
Musique underground > Aspect politique.
Musique underground > Aspect social.
Underground music > History and criticism.
Underground music > Political aspects.
Underground music > Social aspects.
Theses et ecrits academiques.
Academic theses.
Criticism, interpretation, etc.
Academic Dissertation
Electronic books.
Urunga tuihono:Full text available:
Ngā Tūtohu: Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
Rārangi ihirangi:
  • Preface; Part I-What Is the Underground?; 1. Introduction to the Underground and Its Fringes; 2. The Music and Musicians; 3. Global and Local Underground/Fringe Scenes; Part II-The Political and Cultural Underground; 4. Politics and Underground/Fringe Music; 5. Cultural Policy and Underground/Fringe Music; 6. Artists and Music, Improv and Noise; 7. The Digital Economy and Labels; 8. Festivals and Venues; Part III-Listening to the Underground; 9. Noise as Concept, History, and Scene; 10. The Politics of Underground Music and Noise; 11. The Sounds of Noise; 12. Extreme Metal
  • ConclusionList of Interviewees; Notes; Bibliography; Index

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