Realizing the Witch : Science, Cinema, and the Mastery of the Invisible /
"Benjamin Christensen's Häxan (The Witch, 1922) stands as a singular film within the history of cinema. Deftly weaving contemporary scientific analysis and powerfully staged historical scenes of satanic initiation, confession under torture, possession, and persecution, Häxan creatively ble...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Ētahi atu kaituhi: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
Fordham University Press,
2016.
|
| Rangatū: | Book collections on Project MUSE.
|
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: What Is Häxan?
- Part I: The realization of the witch: the witch in the human sciences and the mastery of nonsense
- Evidence, first movement: words and things
- Evidence, second movement: tableaux and faces
- The viral character of the witch
- Demonology
- Part II: A mobile force in the modern age: 1922
- Sex, touch, and materiality
- Possession and ecstasy
- Hysterias
- Postscript: it is very hard to believe.