Cross-Cultural Visions in African American Modernism : From Spatial Narrative to Jazz Haiku /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Columbus :
Ohio State University Press,
2006.
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| Sraith: | Book collections on Project MUSE.
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| Ábhair: | |
| Rochtain ar líne: | Full text available: |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
|
Clár na nÁbhar:
- The Chicago Renaissance, Theodore Dreiser, and Richard Wright's spatial narrative
- The cross-cultural vision of Ralph Ellison's Invisible man
- No name in the street : James Baldwin's exploration of American urban culture
- If Beale Street could talk : Baldwin's search for love and identity
- Jazz and Toni Morrison's urban imagination of desire and subjectivity
- Wright's The outsider and French existentialism
- Pagan Spain : Wright's discourse on religion and culture
- The African "primal outlook upon life" : Wright and Morrison
- The poetics of nature : Wright's haiku, Zen, and Lacan
- Private voice and Buddhist enlightenment in Alice Walker's The color purple
- Cross-cultural poetics : Sonia Sanchez's Like the singing coming off the drums
- James Emanuel's jazz haiku and African American individualism.