Towards the Ethics of Form in Fiction : Narratives of Cultural Remission /
I tiakina i:
Kaituhi matua: | |
---|---|
Hōputu: | Tāhiko īPukapuka |
Reo: | Ingarihi |
I whakaputaina: |
Columbus :
Ohio State University Press,
2010.
|
Rangatū: | Book collections on Project MUSE.
|
Ngā marau: | |
Urunga tuihono: | Full text available: |
Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Carnival and crisis in three stories by Nathaniel Hawthorne
- Oppositionality in Fielding's Tom Jones
- Carnival diminished : the secret springs of Tristram Shandy
- Non-carnivalesque oppositionality : Jane Austen and the golden mean
- Checks and balances : Charles Dickens's A tale of two cities
- Across the boundaries of the self : George Eliot's Daniel Deronda
- Carnival reversals : Thomas Hardy's The mayor of Casterbridge
- Morphology of crisis : non-contact measurement of self in Conrad's "The secret sharer"
- Carnivalization : throwaways in Joyce's Ulysses
- Discourse of Lent : Kafka's "A hunger artist" and Shalamov's "The artist of the spade."