Literary Identification from Charlotte Bronte to Tsitsi Dangarembga /
"The two nineteenth-century English authors discussed in this book, Charlotte Brontë and George Eliot, established the conventions of the novel of female formation. Their twentieth-century English descendants, Virginia Woolf, Radclyffe Hall, and Jeanette Winterson, challenge the dominance of he...
I tiakina i:
Kaituhi matua: | |
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Hōputu: | Tāhiko īPukapuka |
Reo: | Ingarihi |
I whakaputaina: |
Columbus :
The Ohio State University Press,
[2012]
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Rangatū: | Book collections on Project MUSE.
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Ngā marau: | |
Urunga tuihono: | Full text available: |
Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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Rārangi ihirangi:
- 1. The novel of formation and literary identification. Experiencing literary identification ; Understanding literary identification ; Defending literary identification
- 2. Coming together : George Eliot, Simone de Beauvoir, and Tsitsi Dangarembga. George Eliot : dark woman, dutiful daughter ; Simone de Beauvoir : my freedom, her death ; Tsitsi Dangarembga : school stories
- 3. Coming apart : Charlotte Brontë, Jamaica Kincaid, and Tsitsi Dangarembga. Charlotte Brontë : the politics of loneliness ; Jamaica Kincaid : the politics of appropriation ; Tsitsi Dangarembga : the loneliness of politics
- 4. Coming out : Virginia Woolf, Radclyffe Hall, and Jeanette Winterson. Voyaging out of the Victorian novel ; Who's afraid of Stephen Gordon? ; Books bought out of books.