Parodies of Ownership : Hip-Hop Aesthetics and Intellectual Property Law /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Ann Arbor :
University of Michigan Library,
2009.
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| Ráidu: | Book collections on Project MUSE.
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| Fáttát: | |
| Liŋkkat: | Full text available: |
| Fáddágilkorat: |
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Sisdoallologahallan:
- From chattel to intellectual property : legal foundations of African American cultural critique
- Critical race theory, signifyin', and cultural ownership
- Defining hip-hop aesthetics
- Claiming ownership in the post--civil rights era
- "Fair use" and the circulation of racialized texts
- "Transformative uses" : parody and memory
- From invisibility to erasure? The consequences of hip-hop aesthetics.